Cream Wheels of Fire DCC Double GOLD CD  GZS (2)-1020 RAR Japan Pressung

Produktinformation


Audio CD ( 11. Januar 1993 )
Anzahl Disks/Tonträger: 2
Format: Gold CD
Label: Dcc 

Tonträger	2-CD
Besonderheiten	Live, Pappschuber, Re-Release, Remastered, 24kt. Gold-CD
Jahr	1992
Orig. Release	1968
Zeit	84:48:00
Plattenfirma	DCC Compact Classics
Herstellungsland	Japan
Musikrichtung	Rock: Blues Rock, Hardrock, Psychedelic Rock
EAN-Nr.	10963102024
Katalog-Nr.	GZS(2) 1020
Tracks
Disc 1 In the Studio
1.	White Room	05:02
2.	Sitting On The Top Of The World	05:02
3.	Passing The Time [Long Version]	05:48
4.	As You Said	04:23
5.	Pressed Rat And Warthog	03:17
6.	Politician	04:14
7.	Those Were The Days	02:57
8.	Born Under A Bad Sign	03:12
9.	Deserted Cities Of The Heart	03:42
10.	Anyone For Tennis	02:38	Bonus Track
Disc 2 Live at he Filmore
1.	Crossroads	04:18	Live
2.	Spoonful	16:59	Live
3.	Traintime	07:02	Live
4.	Toad	16:14	Live
Weitere Infos
Angaben CD-Innenringe
Disc One und Two:
SID-Code Presswerk: nicht vorhanden
SID-Code CD-Master: nicht vorhanden
Aufdrucke CD-Label und Rückseiten Jewelcases: Made in Japan
Kein Labelcode vorhanden
Aufgedruckte Labelembleme: DCC Compact Classics / Polydor
(P) & © 1968 Polydor International GmbH
© 1992 DCC Compact Classics, Inc.

Rezension

Audio
Ehe das Rock-Supertrio Baker/Bruce/Clapton am Ego-Zwist zerbrach, kam 1968 diese Doppel-Studio- und Live-LP auf den Markt. Nach wie vor frappieren Virtuosität und Experimentierfreude an Klassikern wie White Room, der Improvisationsorgie Spoonful oder abgedrehten Psychedelika wie dem Cello- Kuriosum As You Said. Doch außer Anyone For Tennis als Bonus, Passing The Time in längerer Version (5'45") und ein paar Details zu den Aufnahmedaten bietet das Gold-Set nur ein paar Promille mehr an klanglicher Transparenz.

© Audio


Review by Stephen Thomas Erlewine
If Disraeli Gears was the album where Cream came into their own, its successor, Wheels of Fire, finds the trio in full fight, capturing every side of their multi-faceted personality, even hinting at the internal pressures that soon would tear the band asunder. A dense, unwieldy double album split into an LP of new studio material and an LP of live material, it's sprawling and scattered, at once awesome in its achievement and maddening in how it falls just short of greatness. It misses its goal not because one LP works and the other doesn't, but because both the live and studio sets suffer from strikingly similar flaws, deriving from the constant power struggle between the trio. Of the three, Ginger Baker comes up short, contributing the passable "Passing the Time" and "Those Were the Days," which are overshadowed by how he extends his solo drum showcase "Toad" to a numbing quarter of an hour and trips upon the Wind & the Willows whimsy of "Pressed Rat and Warthog," whose studied eccentricity pales next to Eric Clapton's nimble, eerily cheerful "Anyone for Tennis." In almost every regard, Wheels of Fire is a terrific showcase for Clapton as a guitarist, especially on the first side of the live album with "Crossroads," a mighty encapsulation of all of his strengths. Some of that is studio trickery, as producer Felix Pappalardi cut together the best bits of a winding improvisation to a tight four minutes, giving this track a relentless momentum that's exceptionally exciting, but there's no denying that Clapton is at a peak here, whether he's tearing off solos on a 17-minute "Spoonful" or goosing "White Room" toward the heights of madness. But it's the architect of "White Room," bassist Jack Bruce, who, along with his collaborator Peter Brown, reaches a peak as a songwriter. Aside from the monumental "White Room," he has the lovely, wistful "As You Said," the cinematic "Deserted Cities of the Heart," and the slow, cynical blues "Politician," all among Cream's very best work. And in many ways Wheels of Fire is indeed filled with Cream's very best work, since it also captures the fury and invention (and indulgence) of the band at its peak on the stage and in the studio, but as it tries to find a delicate balance between these three titanic egos, it doesn't quite add up to something greater than the sum of its parts. But taken alone, those individual parts are often quite tremendous.

Condition: E:  EXCELLENT  

"Item Condition" notes:

NM: NEAR MINT   CD & LP Just about in perfect condition.

E:  EXCELLENT   CD & LP Near perfect, may show very light signs of use & maybe one very light scratch.

VG: VERY GOOD   CD & LP  CD has some very minor wear (several very light scratches or marks). If insert, may have dimple marks or very light wrinkles/folds,

G:  GOOD        CD & LP  Some to very heavier wear or tear (some to very scratches throughout the CD), still plays perfectly. If insert, may have some wrinkles, folds, ripples, tears or multiple case. If  case has cracked or is broken.

Demo-Copy:      CD & LP = Promo - not for sale - particularly rare!!

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