Vaughan, Stevie Ray Mastersound Gold CD SBM Longbox

Vaughan, Stevie Ray Mastersound Gold CD SBM Longbox
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Lieferzeit: sofort Lieferbar
Art.Nr.: 19481/SL
GTIN/EAN: 074645392721



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Produktbeschreibung

Stevie Ray Vaughan & Double Trouble Couldn`t Stand the Weather Mastersound Gold CD SBM Longbox EK53927


Produktinformation


Audio CD (19. September 1995)
Anzahl Disks/Tonträger: 1
Format: Gold CD
Label: Col (Sony BMG)
Tonträger CD
Besonderheiten Limited Edition, Re-Release, Remastered, Special Edition, 24kt. Gold-CD
Jahr 1993
Orig. Release 1984
Zeit 38:07
Plattenfirma Sony Music Entertainment Inc. / Epic
Herstellungsland Japan
Musikrichtung Blues: Blues Rock
EAN-Nr. 074645392721
Katalog-Nr. EK 53927

       Tracks

1. Scuttle Buttin' 1:52   
2. Couldn't Stand The Weather 4:41   
3. The Things I Used To Do 4:55   
4. Voodoo Chile (Slight Return) 7:59   
5. Cold Shot 4:01   
6. Roughest Place In Town 9:11   
7. Honey Bee 2:43   
8. Stang's Swang 2:45

 

Weitere Infos
Sony MasterSound Limited Edition im Buchformat mit ausklappbarem Original-Artwork

Angaben CD-Innenring
SID-Code Presswerk: nicht vorhanden
SID-Code CD-Master: nicht vorhanden

Aufdruck CD-Label: Made in Japan

Kein Labelcode vorhanden

(P) 1984 Sony Music Entertainment Inc. / Epic
© 1984 Sony Music Entertainment Inc.


Produktbeschreibungen

 
War das Debütalbum Texas Flood von Stevie Ray Vaughan schon stürmisch gefeiert worden, nahmen die Beifallsstürme beim neuen Album Couldn´t Stand The Weather fast schon Orkanstärke an. Vaughan-Klassiker wie "Cold Shot," "Scuttle Buttin´" und "Honey Bee" stehen Seite an Seite neben leidenschaftlichen Coverversionen, (Jimmy Reeds "Tin Pan Alley" und Guitar Slims aufreizend coolem "The Things That I Used To Do"). Aufreizendste, kochendste Gitarrenimprovisationen waren seine Lesart des Hendrix-Klassikers "Voodoo Chile (Slight Return)". Hier entlockt der Mann aus Dallas (der leider viel zu früh verstarb), seiner verschrammten Stratocaster rasend-schnelle Gitarrenläufe, gekrönt von seiner rauhen, texanischen Stimme. Ganze Heerscharen junger Gitarristen wurden von Stevie Rays Gitarrenspiel beeinflußt. Zu den Klassenbesten dürfen wohl Kenny Wayne Shepherd, Ian Moore und Corey Stevens gerechnet werden. Couldn´t Stand The Weather ist und bleibt ein aufregendes Stück Musik, sowohl für künftige Gitarreros als auch für Leute, die einfach einen Klassiker zu schätzen wissen. --James Rotondi
 
Review by Stephen Thomas Erlewine
Stevie Ray Vaughan's second album, Couldn't Stand the Weather, pretty much did everything a second album should do: it confirmed that the acclaimed debut was no fluke, while matching, if not bettering, the sales of its predecessor, thereby cementing Vaughan's status as a giant of modern blues. So why does it feel like a letdown? Perhaps because it simply offers more of the same, all the while relying heavily on covers. Of the eight songs, half are covers, while two of his four originals are instrumentals — not necessarily a bad thing, but it gives the impression that Vaughan threw the album together in a rush, even if he didn't. Nevertheless, Couldn't Stand the Weather feels a bit like a holding pattern, since there's no elaboration on Double Trouble's core sound and no great strides forward, whether it's in Vaughan's songwriting or musicianship. Still, as holding patterns go, it's a pretty enjoyable one, since Vaughan and Double Trouble play spiritedly throughout the record. With its swaggering, stuttering riff, the title track ranks as one of Vaughan's classics, and thanks to a nuanced vocal, he makes W.C. Clark's "Cold Shot" his own. The instrumentals — the breakneck Lonnie Mack-styled "Scuttle Buttin'" and "Stang's Swang," another effective demonstration of Vaughan's jazz inclinations — work well, even if the original shuffle "Honey Bee" fails to make much of an impression and the cover of "Voodoo Chile (Slight Return)" is too reminiscent of Jimi Hendrix's original. So, there aren't many weaknesses on the record, aside from the suspicion that Vaughan didn't really push himself as hard as he could have, and the feeling that if he had, he would have come up with something a bit stronger.

Condition: VG: VERY GOOD


"Item Condition" notes:

SS / OVP:       CD & LP is factory sealed in shrink-wrap or cellophane.

NEU / NEW:      CD & LP is open and not yet played.(Achtung: = Nicht alle neuen CDs werden vom Hersteller eingeschweißt!)

NM: NEAR MINT   CD & LP Just about in perfect condition.

E:  EXCELLENT   CD & LP Near perfect, may show very light signs of use & maybe one very light scratch.

VG: VERY GOOD   CD & LP  CD has some very minor wear (several very light scratches or marks). If insert, may have dimple marks or very light wrinkles/folds,

G:  GOOD        CD & LP  Some to very heavier wear or tear (some to very scratches throughout the CD), still plays perfectly. If insert, may have some wrinkles, folds, ripples, tears or multiple case. If  case has cracked or is broken.

Demo-Copy:      CD & LP = Promo - not for sale - particularly rare!!

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Vaughan, Stevie Ray Mastersound Gold CD SBM Longbox
Vaughan, Stevie Ray Mastersound Gold CD SBM Longbox

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