Jefferson Airplane Surrealistic Pillow 24 Karat Gold CD RCA

Produktinformation

Audio CD (1995)

Anzahl Disks/Tonträger: 1

Label: RCA 07863 66598-2

CD, 1995, Pappschuber, Re-Release, Remastered, Special Edition, 24kt. Gold-CD

Land	USA
Orig. Release	1967
Zeit	69:39
EAN-Nr.	078636659824
Label/Labelcode	k.A.
Plattenfirma/Katalog-Nr.	RCA / BMG / RCA 07863 66598-2
Musikrichtung	Rock: Psychedelic Rock
MS-ID	548769

         Tracks (first 11 tracks stereo versions, second 11 tracks mono versions)

 

1.	She Has Funny Cars	3:14
2.	Somebody To Love	2:58
3.	My Best Friend	3:04
4.	Today	3:03
5.	Comin' Back To Me	5:23
6.	3/5 Of A Mile In 10 Seconds	3:45
7.	D.C.B.A.-25	2:40
8.	How Do You Feel	3:35
9.	Embryonic Journey	1:55
10.	White Rabbit	2:32
11.	Plastic Fantastic Lover	2:46
12.	She Has Funny Cars (Mono)	3:05
13.	Somebody To Love (Mono)	2:59
14.	My Best Friend (Mono)	3:04
15.	Today (Mono)	3:03
16.	Comin' Back To Me (Mono)	5:29
17.	3/5 Of A Mile In 10 Seconds (Mono)	3:46
18.	D.C.B.A.-25 (Mono)	2:39
19.	How Do You Feel (Mono)	3:34
20.	Embryonic Journey (Mono)	1:55
21.	White Rabbit (Mono)	2:33
22.	Plastic Fantastic Lover (Mono)	2:37

Produktbeschreibungen

Als Grace Slick 1966 die Stelle der ursprünglichen Sängerin Signe Anderson übernahm, brachte sie zwei Lieder mit, die sie mit ihrer vorhergehenden Band Great Society bereits präsentiert hatte: "Somebody To Love" und "White Rabbit". Dieses 1967 erschienene Album ist ein Klassiker, brachte diese beiden Songs unter die Top Ten und trug dazu bei, San Francisco und die entstehende Gegenkultur, die hier gefeiert wird, zu einem Begriff zu machen. Jorma Kaukonens drahtige Gitarre, Jack Casadys experimentierfreudiges Bass-Spiel und Spencer Drydens einfallsreiches Schlagzeug schwirren um Slick und ihre Co-Sänger Marty Balin und Paul Kantner bei Songs wie "She Has Funny Cars" und "3/5 Of A Mile In 10 Seconds". Damit setzte Surrealistic Pillow den Standard für den Hippie-Gemeinschaftsgeist des Sommers der Liebe. --Billy Altman

Audio
Die Band aus San Francisco hatte mit Grace Slick, Jorma Kaukonen, Paul Kantner und Marty Balin vier prägende Köpfe. Songs wie Somebody To Love erhoben die Psychedelic-Rocker zur Hippie-Kultband.
© Audio

Review by Bruce Eder
The second album by Jefferson Airplane, Surrealistic Pillow was a groundbreaking piece of folk-rock-based psychedelia, and it hit — literally — like a shot heard round the world; where the later efforts from bands like the Grateful Dead, Quicksilver Messenger Service, and especially, the Charlatans, were initially not too much more than cult successes, Surrealistic Pillow rode the pop charts for most of 1967, soaring into that rarefied Top Five region occupied by the likes of the Beatles, the Rolling Stones, and so on, to which few American rock acts apart from the Byrds had been able to lay claim since 1964. And decades later the album still comes off as strong as any of those artists' best work. From the Top Ten singles "White Rabbit" and "Somebody to Love" to the sublime "Embryonic Journey," the sensibilities are fierce, the material manages to be both melodic and complex (and it rocks, too), and the performances, sparked by new member Grace Slick on most of the lead vocals, are inspired, helped along by Jerry Garcia (serving as spiritual and musical advisor and sometimes guitarist). Every song is a perfectly cut diamond, too perfect in the eyes of the bandmembers, who felt that following the direction of producer Rick Jarrard and working within three- and four-minute running times, and delivering carefully sung accompaniments and succinct solos, resulted in a record that didn't represent their real sound. Regardless, they did wonderful things with the music within that framework, and the only pity is that RCA didn't record for official release any of the group's shows from the same era, when this material made up the bulk of their repertory. That way the live versions, with the band's creativity unrestricted, could be compared and contrasted with the record. The songwriting was spread around between Marty Balin, Slick, Paul Kantner, and Jorma Kaukonen, and Slick and Balin (who never had a prettier song than "Today," which he'd actually written for Tony Bennett) shared the vocals; the whole album was resplendent in a happy balance of all of these creative elements, before excessive experimentation (musical and chemical) began affecting the band's ability to do a straightforward song. The group never made a better album, and few artists from the era ever did.

 

Condition: E:  EXCELLENT  

"Item Condition" notes:

NM: NEAR MINT   CD & LP Just about in perfect condition.

E:  EXCELLENT   CD & LP Near perfect, may show very light signs of use & maybe one very light scratch.

VG: VERY GOOD   CD & LP  CD has some very minor wear (several very light scratches or marks). If insert, may have dimple marks or very light wrinkles/folds,

G:  GOOD        CD & LP  Some to very heavier wear or tear (some to very scratches throughout the CD), still plays perfectly. If insert, may have some wrinkles, folds, ripples, tears or multiple case. If  case has cracked or is broken.

Demo-Copy:      CD & LP = Promo - not for sale - particularly rare!!

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