Bloomfield,Kooper,Stills Mastersound Gold CD SBM

Bloomfield,Kooper,Stills Mastersound Gold CD SBM
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Lieferzeit: sofort Lieferbar
Art.Nr.: 19058/E
GTIN/EAN: 074646461129



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Produktbeschreibung

Mike Bloomfield,Al Kooper,Steve Stills Super Session Gold CD Mastersound SBM


Produktinformation


Audio CD (24. Juli 1995)
Anzahl Disks/Tonträger: 1
Format: Gold CD
Label: Col (Sony BMG)
Tonträger CD
Besonderheiten Pappschuber, Re-Release, Remastered, 24kt. Gold-CD
Jahr 1995
Orig. Release 1968
Zeit 54:29
Plattenfirma Columbia / Sony Music Entertainment
Herstellungsland USA
Musikrichtung Blues: Blues Rock
EAN-Nr. 074646461129
Katalog-Nr. CK 64611

       Tracks

1. Albert's Shuffle 6:54   
2. Stop 4:22  
3. Man's Temptation 3:25  
4. His Holy Modal Majesty 9:12   
5. Really 5:25   
6. It Takes A Lot To Laugh,It Takes A Train To Cry 3:29  
7. Season Of The Witch 11:07  
8. You Don't Love Me 4:10  
9. Harvey's Tune 2:10   
10. Blues For Nothing [Vorher Unveröffentlichte Frühe Version Von "Albert's Shuffle"] 4:15 Bonus Track  


Weitere Infos

Reihe: Collector's Editon - Mastersound

Die Coverversionen stammen von folgenden Komponisten und Interpreten:
Track 2) Komponisten: Jerry Ragovoy, Mort Shuman
Track 3) Curtis Mayfield
Track 6) Bob Dylan
Track 7) Donovan
Track 8) Willie Cobbs

Produzent der Original-Aufnahme: Al Kooper
Aufnahmeort: Los Angeles (1968)
Tonmeister: Roy Halee & Fred Catero
Cover Fotos: Jim Marshall, E. Landy
Backcover Fotos: Jim Marshall
Produzent der Wiederveröffentlichung: Bob Irwin
Mastering: Mark Wilder (Sony Music Studios, New York)

18-seitiges Falt-Booklet (inkl. Cover und Backcover):
* Auflistung der Einzeltitel, Spielzeiten und Titelkomponisten
* Produktionsangaben
* englischsprachige Linernotes von Michael Thomas
* auf jeweils einer Seite wiederholter Farb-Abdruck der drei Musiker-Covermotive
* auf kompletter Rückseite über 9 Seiten verteilt Wiederholung des Backcovermotivs mit grossformatigem Aufdruck: "Mike Bloomfield, Al Kooper, Steve Stills - SUPER SESSION"

Musiker:
* Mike Bloomfield - electric guitar
* Steve Stills - electric guitar
* Al Kooper - piano, organ, ondioline, vocals, 12-string guitar, electric guitar
* Harvey Brooks - bass
* Eddie Hoh - drums
* Barry Goldberg - electric piano

Angaben CD-Innenring
SID-Code Presswerk: nicht vorhanden
SID-Code CD-Master: nicht vorhanden

Aufdruck Rückseite CD-Hülle und Rückseite Pappschuber: Manufactured by Columbia Records/550 Madison Avenue, New York, NY

Kein Labelcode vorhanden
Aufgedruckte Labelembleme: Columbia

(P) 1995 Sony Music Entertainment Inc.


Review by Lindsay Planer
As the Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967) had done a year earlier, Super Session (1968) initially ushered in several new phases in rock & roll's concurrent transformation. In the space of mere months, the soundscape of rock shifted radically from two- and three-minute danceable pop songs to comparatively longer works with more attention to technical and musical subtleties. Enter the unlikely all-star triumvirate of Al Kooper (piano/organ/ondioline/vocals/guitars), Mike Bloomfield (guitar), and Stephen Stills (guitar) — all of whom were concurrently "on hiatus" from their most recent engagements. Kooper had just split after masterminding the definitive and groundbreaking Child Is Father of the Man (1968) version of Blood, Sweat & Tears. Bloomfield was fresh from a brief stint with the likewise brass-driven Electric Flag, while Stills was late of Buffalo Springfield and still a few weeks away from a more or less full-time commitment to David Crosby and Graham Nash. Although the trio never actually performed together, the long-player was notable for idiosyncratically featuring one side led by the team of Kooper/Bloomfield and the other by Kooper/Stills. The band is ably fleshed out with the powerful rhythm section of Harvey Brooks (bass) and Eddie Hoh (drums) as well as Barry Goldberg (electric piano) on "Albert's Shuffle" and "Stop." The heavy Chicago blues contingency of Bloomfield, Brooks, and Goldberg provide a perfect outlet for the three Kooper/Bloomfield originals — the first of which commences the project with the languid and groovy "Albert's Shuffle." The guitarist's thin tone cascades with empathetic fluidity over the propelling rhythms. Kooper's frisky organ solo alternately bops and scats along as he nudges the melody forward. The same can be said of the funky interpretation of "Stop," which had originally been a minor R&B hit for Howard Tate. Curtis Mayfield's "Man's Temptation" is given a brass-fuelled soulful reading that might have worked equally well as a Blood, Sweat & Tears cover. At over nine minutes in spin time, "His Holy Modal Majesty" is a fun trippy waltz and includes one of the most extended jams on the Kooper/Bloomfield side. The track also features the distinct hurdy-gurdy and Eastern-influenced sound of Kooper's small electric keyboard-manipulated ondioline, which has a slightly atonal and reedy timbre much like that of John Coltrane's tenor sax. Because of some physical health issues, Bloomfield was unable to complete the recording sessions and Kooper contacted Stills. Immediately his decidedly West Coast sound — which alternated from a chiming Rickenbacker intonation to a faux pedal steel — can be heard on the upbeat version of Bob Dylan's "It Takes a Lot to Laugh, It Takes a Train to Cry." One of the album's highlights is the churning and scintillating cover of "Season of the Witch." There is an undeniable synergy between Kooper and Stills, whose energies seems to aurally drive the other into providing some inspired interaction. Updating the blues standard "You Don't Love Me" allows Stills to sport some heavily amplified and distorted licks, which come off sounding like Jimi Hendrix. This is one of those albums that seems to get better with age and that gets the full reissue treatment every time a new audio format comes out. This is a super session indeed.
 

Condition: E/ Exellent: 


"Item Condition" notes:

SS / OVP:       CD & LP is factory sealed in shrink-wrap or cellophane.

NEU / NEW:      CD & LP is open and not yet played.(Achtung: = Nicht alle neuen CDs werden vom Hersteller eingeschweißt!)

NM: NEAR MINT   CD & LP Just about in perfect condition.

E:  EXCELLENT   CD & LP Near perfect, may show very light signs of use & maybe one very light scratch.

VG: VERY GOOD   CD & LP  CD has some very minor wear (several very light scratches or marks). If insert, may have dimple marks or very light wrinkles/folds,

G:  GOOD        CD & LP  Some to very heavier wear or tear (some to very scratches throughout the CD), still plays perfectly. If insert, may have some wrinkles, folds, ripples, tears or multiple case. If  case has cracked or is broken.

Demo-Copy:      CD & LP = Promo - not for sale - particularly rare!!

Beim ersten Artikel ist das Slipcase nicht so stark vergilbt, dafür oben rechts ein Knick, siehe Scans.
Bloomfield,Kooper,Stills Mastersound Gold CD SBM
Bloomfield,Kooper,Stills Mastersound Gold CD SBM
Bloomfield,Kooper,Stills Mastersound Gold CD SBM

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